By Any Other Name

by

Jodi Picoult

Should you read this book?

The best public reviews summarized for you.

Who is this book for?

  • Fans of historical fiction, especially those interested in Elizabethan England and Shakespeare.
  • Readers who enjoy feminist literature and stories about women breaking barriers.
  • Those interested in alternative theories about Shakespeare's authorship.
  • People who appreciate well-researched historical narratives blended with contemporary themes.
  • Fans of Jodi Picoult's previous works, particularly those dealing with social issues.

Who is unlikely to appreciate this book?

  • Readers who prefer fast-paced, plot-driven novels.
  • Those who are not interested in or are unfamiliar with Shakespeare and his works.
  • People who dislike dual-timeline narratives or find them confusing.
  • Readers who are sensitive to revisionist historical theories, especially regarding Shakespeare.
  • Those who prefer lighter reads without heavy themes of sexism and historical injustice.

Things online reviewers enjoyed about this book

  • Well-researched historical fiction blending Elizabethan and modern timelines
  • Explores the intriguing theory that Shakespeare's works may have been written by a woman
  • Highlights the struggles of women writers in both past and present
  • Strong feminist themes and representation of marginalized voices
  • Compelling portrayal of Emilia Bassano as a potential ghostwriter for Shakespeare
  • Thought-provoking questions about authorship and women's erasure from history
  • Detailed and immersive depiction of Elizabethan England
  • Addresses issues of diversity and representation in the arts
  • Engaging parallel stories of two women playwrights centuries apart
  • Jodi Picoult's signature storytelling and ability to tackle controversial topics

Things people didn't like as much about this book

  • Overly long and slow-paced at times
  • Some readers found the modern timeline less engaging than the historical one
  • Heavy focus on Shakespeare and theater may not appeal to all readers
  • Characters sometimes felt one-dimensional or underdeveloped
  • Didactic tone in some conversations about privilege and representation
  • Repetitive use of phrases and descriptions
  • Some readers found the prose style bland or uninspiring
  • Lack of emotional depth in certain key scenes
  • Controversial premise may alienate Shakespeare enthusiasts
  • Pacing issues, particularly in the historical sections

If you like this book, you should consider reading:

by Judi Dench, Brendan O'Hea
by Jeannette Walls

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